In your work Trauma (2000), for example, you asked people to describe intensely personal childhood experiences while wearing a mask. View Publication Gillian Wearing. Gillian Wearing. A Real Danish Family exhibition view: Family Stories, National Gallery of Denmark, Copenhagen An exhibition of the work of Birmingham-born Turner Prize-winning artist Gillian Wearing has just opened at the Danish National Gallery, SMK. The project was started in 2007 in the city of Trento, Italy, on the occasion of an exhibition I had at Galleria Civica di Arte Contemporanea. Yes. There was an error retrieving your Wish Lists. When I was at university, I made works in all different media as I knew I wanted to be flexible. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. If this is a specific direction you’re taking, it seems quite natural to juxtapose it with the growing immateriality of our age. Her statue of the suffragist Millicent Fawcett stands in London's Parliament Square. Find all the books, read about the author, and more. Gillian Wearing. View Publication Gillian Wearing. Gillian Wearing was commissioned by the Mayor of London Sadiq Khan to create a statue of Suffragist leader Millicent Fawcett in Parliament Square, which was unveiled in April 2018. 2015. What is more important today is to help people navigate themselves. 2017. Gillian Wearing. When I made my first works, people often didn’t know who was behind them or what my gender was, maybe because of my name. What are your thoughts on that? Statens Museum for Kunst. It also analyzes reviews to verify trustworthiness. 1010 N Highland Ave … And after that I started creating three-dimensional pieces. Gillian Wearing: Family Stories. Self Portrait, 2000. Hatje Cantz; Bilingual edition (February 27, 2018). It was not my idea to operate on the national territory and to make a TV programme out of it, but I embraced it and it worked well. A Real Danish Family exhibition view: Family Stories, National Gallery of Denmark, Copenhagen 2017. You’ve recently worked on the third family statue in Denmark, in collaboration with a number of important public institutions. British artist Gillian Wearing is famed for work that explores family constructs, challenging traditional and perhaps outdated notions of family and identity. Social media can undoubtedly be seen as a freeing and empowering tool, but it can also be highly critical and negative. She won the Turner Prize in 1997 and was awarded a CBE in 2019 for her contribution to the arts. And how? Gillian Wearing – Family Stories. View Publication Gillian Wearing. In her project A Real Danish Family, the British artist Gillian Wearing asks these questions in ways that are both artistic and thought-provoking. “I’m so fascinated by our relationship with new technologies: how we adapt them to our need, and how they change us as human beings.” Gillian Wearing discusses social media, Danishness and rethinking the family model. Statens Museum for Kunst. Gillian Wearing. The outputs might differ, but the inner drive seems to be the same: you represent people while giving the audience an extra layer of information about them. Please try again. Click Accept and this message will go away. The eponymous sculpture portrays a Danish family selected from 492 participating families … To me, it seems like you try to create something that is permanent, while all the rest is less and less stable. Brief content visible, double tap to read full content. Statens Museum for Kunst. View all. Gillian Wearing explains her interest: “I look for situations where there is an element of truth. The family sculptures are a suitable example of what you say about the presence of a constant need in my practice: they comprise a documentary element in the same way my photographs do. The eponymous sculpture portrays a Danish family selected from 492 participating families of the most diverse composition. I’m so fascinated by our relationship with new technologies: how we adapt them to our need, and how they change us as human beings. HATJE CANTZ ISBN: 9783775743709 USD $55.00 | CAN $72.5. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. SMK viser nu en udstilling med … Gillian Wearing explains her interest:“I look for situations where there is an element of truth. Statens Museum for Kunst. The winning family and the sculpture will be revealed on 13 October 2017 at SMK, coinciding with the opening of the exhibition Gillian Wearing – Family Stories. What does “family” mean today? Institut Valencia d'Art Modern. My intention was to present a new body of work together with previous ones, so I asked Fabio Cavallucci e Cristina Natalicchio, the curators of the show, how the climate was in Italy at that time. Which notions and prejudices come to light with it? On the other hand, you certainly don’t want to fall into being labelled. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. HATJE CANTZ ISBN: 9783775743709 USD $55.00 | CAN $72.5. It’s what I’m doing that informs the next choice, in some way. Her statue of the suffragist Millicent Fawcett stands in London's Parliament Square. Call Gillian…, ten participants became the subjects of a 30-minute-long video in which they revealed outlandish things about themselves, while wearing masks. Gillian Wearing: Family Stories - ELEPHANT “I’m so fascinated by our relationship with new technologies: how we adapt them to our need, and how they change us as human beings.” Gillian Wearing discusses social media, Danishness and rethinking the family model. I actually see them as documents in themselves, but they contain more than meets the eye. It sounds like a path where one step naturally follows another. Your recently viewed items and featured recommendations, Select the department you want to search in, $16.15 Shipping & Import Fees Deposit to Germany. Family History, 2006. Something went wrong. It was made in collaboration with the Danish Broadcasting Corporation (DR), the City of Copenhagen, Kunsthal Aarhus and SMK, and saw the launch of a nationwide campaign and a TV programme to choose one family to be cast in bronze among a selection of 500. The second family statue was made in Birmingham, England, where I was born. 2017. In 2007 Wearing was elected as lifetime member of the Royal Academy of Arts in London. Self Portrait at 17 Years Old, 2003. I am curious to know a bit more about the process behind it. 13. oktober 2017 - 7. januar 2018. Any new medium has its pluses and minuses. I particularly realized that the opportunity of being able to tell something important for them while remaining anonymous was kind of special for the people involved. In our autumn 2020 issue, we speak with numerous artists about their experiences of optimism, utopia and euphoria, and delve into the mindset that is required simply to create in the first place. I don’t speak Italian and for me it was very important that the choice was taken by people local to the area. 2015. Gillian Wearing - Family Stories. Gillian Wearing. The work includes photography, film and sculpture. There’s still so much to do and to say about people! Feb 23, 2016 - Explore Charlotte Adams's board "gillian wearing" on Pinterest. National Portrait Gallery. Installation view of Gillian Wearing – Family Stories The National Gallery of Denmark, Copenhagen, Denmark October 13, 2017 – January 7, 2018 Photo: Frida Gregersen. “I’m so fascinated by our relationship with new technologies: how we adapt them to our need, and how they change us as human beings.”. Selected Monographs: 2017. View all. To get the free app, enter your mobile phone number. Bring your club to Amazon Book Clubs, start a new book club and invite your friends to join, or find a club that’s right for you for free. Has this change affected your art, and if yes, how? The exhibition Family Stories at SMK is an exhaustive retrospective which gathers a wide range of works from the artist’s production, from the famous Signs That Say What You Want Them to Say and Not Signs That Say What Someone Else Wants You to Say (1992-93), where she stopped passers-by in a busy area of South London and asked them to write down what was on their mind, to the most recent project, a series of human-sized sculptures of family units where she investigates the notion of family as a setting for personal identity and for society. A Real Danish Family, the third and most recent sculpture of the series, was installed in the open space in front of SMK during the show’s vernissage. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. Help others learn more about this product by uploading a video! I see this kind of evolution in my work, but I haven’t really thought about it in terms of materiality or immateriality. Your feedback is interesting to hear because it opens up the way of looking at the project for further dialogues. View Publication Gillian Wearing and Claude Cahun: Behind the mask, another mask. Anbefalet under Det skal du se! Wearing’s work, in general, is something one doesn’t simply view, but rather examine: just as the subjects of her video pieces don’t merely talk, but carve themselves open, and we as the audience don’t simply listen to what they have to say, but hang on every single word. Who selects the family to be cast? Gillian Wearing: Family Stories . It is often surprising meeting people you are familiar with through images, both still and moving, as they never look quite as you imagine. Save. Gillian Wearing: Family Stories. Please try again. 172 × 172 cm. 2017. Statens Museum for Kunst. Some effects of this process are going to be good and some of them, we don’t totally know, I suppose. Families came forward through newspaper adverts, but it wasn’t me deciding which family to pick: we created a panel comprising a priest, a sociologist, some educators and the curators. Gillian Wearing & Claude Cahun: Behind the Mask, Another Mask is at the National Portrait Gallery, London, until 29 May 2017 Gillian Wearing – Family Stories is at the National Gallery of Denmark in Copenhagen, 12 October 2017 – 7 January 2018 With the signs series from the nineties, you could see the physicality of the people but also their thoughts; then I moved into confession videos, where you hear people’s inner thoughts while they wear a mask, and this led to me having myself photographed, masked as members of my family. View in room. The influence of the context that you mention is very evident: from my understanding, the process was about finding a common “Danishness” in a wide range of family constellations. I’ve always been curious about how I can mutate something sculptural into photography, and vice-versa. I suppose what differs here from the other two episodes is the scale: the first two were located in a city, while this one is representing a whole country. Follow. Of course, the new scenario introduced by social media has made me think that I have to take my work in a new direction, where I can still operate the role I had then, but on different premises. I don’t feel there is any one label that has been totally addressed to me. GILLIAN WEARING: FAMILY STORIES Text by Mikkel Bogh, Jacob Fabricius, Marianne Torp. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. What I found fascinating about working with confessions and inner thoughts, and the reason why I operated in that area for so long, was that back then people really needed to express themselves, but there weren’t many formats where they could do that. What’s interesting for me in this project is actually what people can discuss from it. Gillian Wearing CBE, RA (born 10 December 1963) is an English conceptual artist, one of the Young British Artists, and winner of the 1997 Turner Prize. See more ideas about photography, how to wear, photographer. Oct 9, 2014 - Explore Egle Andrius's board "Gillian Wearing Photography" on Pinterest. Also, choosing one type of family instead of another has some implications, when it comes to creating a long-lasting object charged with symbolic meaning such as a statue. View Publication Gillian Wearing and Claude Cahun: Behind the mask, another mask. Hatje Cantz. As a staple, there is the idea of not adopting fixed parameters for looking for a particular subject. Pub Date: 2/27/2018 Active | In stock Gillian Wearing – Family Stories features a range of the artist’s works from 1992 to the present day that works with the theme of the family. How is modern family life shaped these days? Whatever you are engaged with, even if it is simply watching TV, it changes who you are and your perception of the world, so suddenly it becomes something very real and present. 2017. … The nuclear family, the one with two parents and two children, was about to disappear, so my idea was to look for a typical nuclear Trentino family and make it eternal. When I met Wearing at the Statens Museum for Kunst (SMK) in Copenhagen, where she is currently showing Family Stories, I was curious to see how the “real” artist looked. We meet four artists and one collective who explore optimism and pessimism directly within their practices, often blurring the line between the two. Statens Museum for Kunst. Gillian Wearing & Claude Cahun: Behind the mask another mask, National Portrait Gallery, London, UK 2017. Number or email address below and we 'll send you a link to download the free App enter... | can $ 72.5 55.00 | can $ 72.5 more important today is to help people themselves! 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